Two days ago I hit a personal record. I had two interviews published on the same day. I can tell you, this is a nice feeling. This is one of them.
You can read the first one where I talk about everything here: Interview & Portfolio Feature – The Dezineer and this is the second one. Shorter than the first and much more technical, you can find out about my gear and the equipment I use while shooting, my workstation, the software I use and how, plus other interesting things.
Here is the full text of the interview:
“Who are you and what kind of photography do you specialise in?
My name is Julia Anna Gospodarou and I am an architect and a fine art photographer based in Athens, Greece. My main body of work consists in B&W images and I specialize in architectural long exposure photography, but I’m also doing with pleasure other genres as landscape, motion blur and even street photography.
My love for photography has started many years ago, so I have experimented with different kinds of subjects over time, but the most stable in my preferences was always architectural and urban photography and this is what I still do with most pleasure.
I am in a constant search for beauty and perfection in the world around me, the beauty that an object or place holds within and the perfection that can be seen with bare eye but mostly
for the one that has to be discovered with the camera and revealed by developing the images in the digital darkroom. For me the two: camera and digital darkroom can’t exist one without the other, the later being the place where I put my personal imprint on the image that I captured with the first.
What cameras and lenses do you use?
My belief is that one doesn’t need a lot of gear to create good work. On the contrary, having less means can push the creativity much further than having all the options available. This stands for any artistic field and for photography also. Therefore I like to keep my gear to a minimum and just not think too much about it.
I am currently shooting digital, but I still use film from time to time, especially when I feel the need to slow down and remember the old times.
The camera I use most of the time is a Nikon D7000. As for the lenses, since I need versatility (in my architectural work, and not only, I shoot everything from wide scenes till details that can be at a certain distance) and since I like to be able to concentrate on my subjects without needing to think too much about my gear, my main lens is a zoom one that covers quite well most of my needs. It is a Tamron 18-270mm f/3.5-6.3 PZD that gives me a wide angle for shooting a building from very close, or for shooting landscape, but also gives me the reach I need for details that are in the distance. Like all lenses that cover a wide zoom range, it’s not a very fast lens, but that is generally not a problem, as I rarely need to go lower than f8 for my architectural or landscape subjects, that cover most of my work. For cases where I need a faster lens (low light, bokeh effects, sometimes street photography or portraits) I use the Nikon 50mm f/1.4 G that is a great lens for these uses. But most of the times I would keep my zoom lens on and just forget about changing lenses and about missing shots.
My film camera, that I still use once in a while, is a Fujica AX-1, a pretty old camera, almost my age, not a high-performance one, but I like old things anyway and what I especially like about this camera (and all the old cameras, for that matter) is the feel of the old heavy metal and the texture of the covering leather in my hand and also that classic sound of the shutter and the sound of the film being wound up that can’t compare with anything else. The lenses that I use with this camera are an X-Fujinon 50mm f/1.9 and a Tamron 28-200mm f/3.8-5.6 ASPH, both manual focus.
What kind of extra equipment do you use whilst shooting?
First thing I need for my long exposure work is a tripod: my main tripod is a Manfrotto 055 XPORB, a sturdy and quite heavy tripod, but this sturdiness is most needed in the conditions I meet most of the time here in Greece where the wind is omnipresent and quite strong too. For the cases when the wind is weaker or when I can’t take the big tripod with me, I use a very light travel style SLIK Sprint Pro II.
Second piece of equipment that is very important for my work are the ND filters. I use Hoya and B+W ND filters: 9, 6 and 3-stop ones, also sometimes (very rarely though) a 2-stop ND grad Hitech on a holder and also a Hoya polarizing filter. I like Hoya ND filters because they don’t have color cast as most of the other ND filters and they can also remove the color cast from other filters stacked together with them.
For some kinds of architectural shots, when I compose, I use a right-angle viewfinder that, attached to the camera, can give me access to the viewfinder in cases where I don’t normally have access to it (shots in very narrow spaces or with the camera placed very low, close to the ground). Other pieces of equipment that I’m using are: a shutter release with timer, a wireless remote control and a Hoodman loupe for checking the results on the LCD screen in bright light conditions.
What hardware do you use for post-processing?
I’m working on a PC with Windows 7 Ultimate, processor CPU Intel Core i7 2600, 16GB RAM memory, Nvidia Quadro 2000 Graphics Card, storage and software on 3 SSD and one HDD 2TB. I use a monitor Dell U2711-27” calibrated with i1 Display Pro, X-Rite calibration device.
I usually make 2 back-ups of my files, even if I’m a little behind with the second one at the moment., and I back up my files every few days to a week, according to the volume of work.
What software do you use for post-processing?
I use Lightroom to import my files and do the first general adjustments and then I export to Photoshop where most of my work is done. If the processing I need to do is not extensive I might do everything in Lightroom, but in the case of more elaborate images and for the best part of the B&W ones I use mostly Photoshop and NIK Software to do the processing (NIK Silver Efex Pro2 for B&W images), switching back and forth between the two. Then, when everything is done, I go back to Lightroom to export my files as JPEG for web use. I don’t usually print my images myself, I prefer sending them to a specialist in the field, Jeff Gaydash, so I can be sure I’m getting the highest print quality.
What is missing from your current workflow?
The next two things that I intend to add to my existing set up are: as for shooting, a wider lens than the one I have, probably the Nikon 10-24mm and, as processing is concerned, a Wacom tablet for fine tuning and subtle editing. Other than that, I think I’m covered for the moment.”
FURTHER STUDY RESOURCES
FINE ART BLACK AND WHITE PHOTOGRAPHY, ARCHITECTURE PHOTOGRAPHY, LONG EXPOSURE PHOTOGRAPHY
You can find more resources about fine art black and white photography, (en)Visionography, long exposure photography and architecture photography in my extensive collection of photography tutorials. To receive my future tutorials directly via email you can subscribe to my website.
Learn more about how to create fine art photography, from vision to processing and the final image in my book From Basics to Fine Art – Black and White Photography, in my video course From Vision to Final Image – Mastering Black and White Photography Processing and in my video tutorial Long Exposure, Architecture, Fine Art Photography – Creating (en)Visionography, or by attending one of my workshops.
To study with Julia Anna Gospodarou personally, find out about our
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Julia Anna Gospodarou – Founder
Julia Anna Gospodarou is an internationally acclaimed award-winning photographer, an architect with a Master’s degree, a best-selling author, and a highly sought-after educator, teaching workshops and lecturing around the world. Founder of (en)Visionography™ and creator of Photography Drawing™, author of the best-selling book From Basics to Fine Art – Black and White Photography, multiple times awarded in the most important photography competitions worldwide (Two-Time International Photography Awards IPA Photographer of the Year 2016 & 2021, World Photography Awards SWPA Top 10 Finalist, and Hasselblad Masters Top 10 Finalist, as well as 100+ more awards), widely published internationally in books and magazines, Julia is passionate about art and photography and striving to spread the ideas of fine art photography and (en)Visionography all over the world.